© Jie Shao
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  • Under Table
    2022
  • Pack/Unpack
    2022
  • Alley, Ghost, and Eighty Cents
    2022
  • “No, it is opposition,
    2021
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  • Table Corner
    2021
  • A Unit
    2021
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CV available via email

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  • translation
  • Public Space
    2022 translation
  • Railing Codex
    2022
  • The Collective Alice, or, on Fear, Death, Multitudes, and Pain
    2021 translation
  • Pararailing
    2020
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Pack/Unpack

2022

"No, it is opposition,

2021

Alley, Ghost, and Eighty Cents

2022

Under Table

2022

A Unit

2021

Table Corner

2021

The Collective Alice, or, on Fear, Death, Multitudes, and Pain

2021

Public Space

2022

Upcoming

Resident Artist at NARS Art Foundation, New York, US

April - July, 2023

  • Alley, Ghost, and Eighty Cents is based on a specific place, to discover how the idea of time, space, and memory are weaved together in generarion’s experience.

    Installation shots

  • The project starts with an empty envelope with a receiving and a returning address of a same place. The sending address was the place name in 1950s, “4, Fanshen street” , while it renamed since the 90s till today, which is “142, 1-11, South Binjiang Road”, as the returning address.

  • An ongoing project, more than a hundred numbers of envelops have been sent out. The project will end until post office return an envelop with a return stamp.

    Copies of sent envelope from 2019 to 2022
    newsprint, table, glass Dimension variable

  • Pattern Study · Day
    2022
    granite, plaster
    100 × 45 × 10 cm
    (39 × 17.7 × 4 in)

  • Sculptures cast from street pattern, specificly from cement pavement with human and animal traces, capture the evidence of accidents and disobedience that occurred before the cement had a chance to dry.

    Pattern Study · Night
    2022
    granite, plaster
    130 × 45 × 10 cm
    (52 × 17.7 × 4 in)

Alley, Ghost, and Eighty Cents

2022